Natalia Lassalle-Morillo’s films explore familial, neighborly, and citizen relationships in the context of Puerto Rico’s fraught history with the United States and the resulting imperialist oppression that has altered generations of families’ material and spiritual trajectories. Born in Puerto Rico, the artist began realigning her relationship to the island after returning from the USA, delving into the multiplicity of conflicting histories she inherited as a multi-generational Puerto Rican. This sense of home-lessness—not a lack of housing but the feeling of having one’s home made unrecognizable as a product of colonization—manifests in Lassalle-Morillo’s works through multiplicity: many screens, many stories, and many iterations of a single idea that eventually unfold in its natural conclusion. The artist understands filmmaking not as truth telling, but as exploring the medium’s relationship to theater, where every person plays a part in making a story. By bringing the practice of theater into the camera, Lassalle-Morillo presents a filmmaking methodology that creates its own decolonial rhythms, disrupting Western linear notions of time.